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It was a long journey, from the spark of an idea years earlier to this exceptional week in June. There would be much more convincing to be done. However, extolling sound quality virtues of a speaker on a tradeshow floor is akin to talking about a Lamborghini’s handling ability in a showroom. “I’m absolutely most proud of the sound,” said Bridge. While the visual hook of the exhibit was the remote-controlled movement of the speakers, Bridge and the team were quick to emphasize that the most important result of a “no compromising attitude” at PK was the sound. In the days leading up to the weekend, 2000 miles away in Orlando, PK’s founder, Jeremy Bridge, Paul Magnuson, VP of business development, Adam Lewis, production manager, and Jon Bichel, R&D specialist, were at Infocomm 2015, officially unveiling Trinity amid a crowd of over 40,000 industry professionals from more than 108 countries. The system focused the energy cleanly and clearly onto the dance floor and we received an overwhelming amount of positive feedback about the sound quality over the weekend.”
It validated the decision to go with PK for one of Insomniac’s most innovative stages ever by executive producer Forrest Hunt, who concluded, “Working with PK’s new Trinity system on the bassPOD stage this year was an absolute pleasure. Popular website reviewer thatDROP cited PK Sound among its “10 Reasons EDC Las Vegas 2015 was the Best EDM Festival of All Time”, stating that “ The Trinity rig brought technology that allowed audio engineers to manipulate sound to reach where it is intended, engulfing listeners in a bubble of auditory bliss capable of rattling every cell in their body.” It helped make BassPOD the top pick of the festival by LA Weekly. Throughout the hours of intensive, enveloping bass that the aficionados had travelled here to experience, and the relentless heat and sand of the Nevada desert, Trinity proved to be everything the company had envisioned from the transparency of the sound to the ability to sculpt and focus the sound field remotely. In the words of Cormack, “There was no margin for error.” In true Vegas fashion, the stakes were high. Fully armed and ready to go, all it had to do was deliver as promised. Another 4 CX800 subwoofers and 6 VX10 compact line array supported the DJ booth as monitors. PK, in turn, deployed its brand new Trinity system – 16 modules per side – reinforced by 69 dual 18-inch CX800 subwoofers at the front of the stage and 8 SW215 stage wedges for vocal stage monitoring. It was the Electric Daisy Carnival, an Insomniac flagship event, and for the first time the producers had selected PK Sound for one of its most technically innovative stages for 2015: BassPOD. PK Sound front of house engineers Rory Stewart and PJ Miller, along with Arlen Cormack, vice president Touring and Production, were on an emotional high fueled by exhaustion and excitement.įor three days, running from 7 at night until these early hours, the largest electronic music festival on the continent had drawn more than 100,000 fans a day to the eight adjacent stages on the Las Vegas Speedway. It was 5:30 in the morning of Sunday, June 21, 2015.